Pocket Change Collective was born out of a need for space. Space to think. Space to connect. Space to be yourself. And this is your invitation to join us.
In Continuum, fine artist, activist, and Titans actor Chella Man uses his own experiences as a deaf, transgender, genderqueer, Jewish person of color to talk about cultivating self-acceptance and acting as one's own representation.
Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists.
"What constructs in your life must you unlearn to support inclusivity and respect for all?" This is a question that artist, actor, and activist Chella Man wrestles with in this powerful and honest essay. A story of coping and resilience, Chella journeys through his experiences as a deaf, transgender, genderqueer, Jewish person of color, and shows us that identity lies on a continuum -- a beautiful, messy, and ever-evolving road of exploration.
About the Author
Since leaving high school as a junior to attend college early, Chella has written for Condé Nast's first queer publication Them, launched a radically inclusive clothing line in collaboration with Opening Ceremony, signed as the first deaf and trans masculine model with IMG Models, and was cast as a superhero within Warner Brother's DC Universe, Titans. He hopes to continue pushing the boundaries of what it means to be accessible, inclusive, and equal in this world.
Ashley Lukashevsky is an illustrator and visual artist born and raised in Honolulu, Hawaii, currently based in Los Angeles. Ashley uses illustration and art as tools to strengthen social movements against systemic racism, sexism, and anti-immigrant policy. She aims to tear down these systems of oppression through first envisioning and drawing a world without them. Her clients include Refinery29, Broadly, The Washington Post, Planned Parenthood, Girls Who Code, GOOD magazine, Brooklyn magazine, ACLU, Red Bull, Snapchat, Air Jordan, and Logo TV. Ashley is also the illustrator of the best-selling Antiracist Baby, by Ibram X. Kendi.
